On a somewhat similar theme to my A to Z here is an interesting post on a National Trust blog entitled on the Natural History of the Padoda.
Friday, 24 February 2012
Thursday, 23 February 2012
The Tudor Garden
Another footstep forward in out journey through garden time. Today the English garden under the Tudors.
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| Henry's Privy Garden at Hampton Court (image © J Foyle) |
Regal Garden Making
After the Wars of the Roses, and the crowning of Henry Tudor as Henry VII in 1485, England entered the 16th century peaceful. Garden making under Henry VIII was a distinctly kingly pass-time. Henry regarded any outward sign of ostentation as a threat to the crown – a lesson Thomas Wolsey, who built Hampton Court, did not learn.
After the Wars of the Roses, and the crowning of Henry Tudor as Henry VII in 1485, England entered the 16th century peaceful. Garden making under Henry VIII was a distinctly kingly pass-time. Henry regarded any outward sign of ostentation as a threat to the crown – a lesson Thomas Wolsey, who built Hampton Court, did not learn.
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| Pond Garden, Hampton Court Palace |
Hampton Court became Henry’s favourite palace, and here, in the 1530s Henry made the premier garden in England. The only part of Henry's layout to survive subsequent alterations are the Pond Gardens - today filled with a riot of bedding plants in the summer months.
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| Knot & Railed Beds from The Gardener's Labyrinth (1577). |
New Ideas
Along with the ingredients inherited from the Mediæval garden - raised beds, maze, turf seat, bower, and fountains, there was much evolution. The beauties of Nature were further tamed, spurred on by Henry’s rivalry with France. A new feature was the mount - a raised mound of earth crowned with an arbour or a seat. This gave views out over the enclosing walls to the wilds of nature beyond, and down over the formally designed garden below.
Along with the ingredients inherited from the Mediæval garden - raised beds, maze, turf seat, bower, and fountains, there was much evolution. The beauties of Nature were further tamed, spurred on by Henry’s rivalry with France. A new feature was the mount - a raised mound of earth crowned with an arbour or a seat. This gave views out over the enclosing walls to the wilds of nature beyond, and down over the formally designed garden below.
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| The Old Palace & Knot Garden at Hatfield House |
The Knot Garden
Within the garden itself, the raised bed developed into the knotted bed or knot. The knot was square bed in which low hedges of box or thrift picked out a complicated geometrical pattern. The compartments of the knot were planted with ornamental flowers or shrubs. Topiary was a rediscovered novelty, while another new feature were railed beds – the whole garden being enclosed by low fences of wooden trellis. Trellis was also used to make galleries, enclosed walks that connected various parts of the garden. Two of King Henry’s favourite features were sundials and ‘Kings Beasts’. The latter wooden poles painted to look like marble and surmounted with carved heraldic beasts that displayed of the King's power and pax.
Within the garden itself, the raised bed developed into the knotted bed or knot. The knot was square bed in which low hedges of box or thrift picked out a complicated geometrical pattern. The compartments of the knot were planted with ornamental flowers or shrubs. Topiary was a rediscovered novelty, while another new feature were railed beds – the whole garden being enclosed by low fences of wooden trellis. Trellis was also used to make galleries, enclosed walks that connected various parts of the garden. Two of King Henry’s favourite features were sundials and ‘Kings Beasts’. The latter wooden poles painted to look like marble and surmounted with carved heraldic beasts that displayed of the King's power and pax.
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| The Restored Elizabethan Garden at Kenilworth Castle |
Elizabethan Extravagance
Henry’s daughter Elizabeth came to the throne in 1558, but unlike her father saw ostentation as a sign of loyalty, and noblemen vied with each other to provide magnificent houses and gardens in which to entertain Her Majesty. The change towards more linear, less defensive architecture was reflected in the garden. Gardens were still walled in, for ornament rather than protection, but the most important introduction was the terrace. One of Elizabeth's favourite gardens - at Kenilworth Castle in Warwickshire has recently been restored.
Henry’s daughter Elizabeth came to the throne in 1558, but unlike her father saw ostentation as a sign of loyalty, and noblemen vied with each other to provide magnificent houses and gardens in which to entertain Her Majesty. The change towards more linear, less defensive architecture was reflected in the garden. Gardens were still walled in, for ornament rather than protection, but the most important introduction was the terrace. One of Elizabeth's favourite gardens - at Kenilworth Castle in Warwickshire has recently been restored.
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| Terracing at Haddon Hall in Derbyshire |
The Terrace
For the first time, the garden was intimately linked with the house, for example at Montecute in Somerset. The terrace gave direct access from the house into the garden, kept the garden on the level and allowed views over the pleasure garden. Walks or ‘forthrights’ divided up the terraces into smaller areas - the favourite being a square. These were filled with the familiar grass plats, mazes, and knot beds. The patterns of the latter became more elaborate, as did arbours, which evolved into stone buildings such as gazebos. Ornamentation also became increasingly popular and ornate and included statuary, topiary, sundials, fountains and pools, and the pleached allée.
Bowls
The final evolution was the lawn – a flowery mead with the flowers omitted. Carefully nurtured, this was used to play bowls, a game immortalised by Drake. So popular did it become that legislation was required in order to curb the huge rise in gambling.
For the first time, the garden was intimately linked with the house, for example at Montecute in Somerset. The terrace gave direct access from the house into the garden, kept the garden on the level and allowed views over the pleasure garden. Walks or ‘forthrights’ divided up the terraces into smaller areas - the favourite being a square. These were filled with the familiar grass plats, mazes, and knot beds. The patterns of the latter became more elaborate, as did arbours, which evolved into stone buildings such as gazebos. Ornamentation also became increasingly popular and ornate and included statuary, topiary, sundials, fountains and pools, and the pleached allée.
Bowls
The final evolution was the lawn – a flowery mead with the flowers omitted. Carefully nurtured, this was used to play bowls, a game immortalised by Drake. So popular did it become that legislation was required in order to curb the huge rise in gambling.
Also well worth visiting is the Tudor House and Garden in Southampton.
Wednesday, 22 February 2012
An Invitation to my Book Launch
I shall be launching my new book, Heritage Fruits & Vegetables on July 3rd at the Garden Museum. I shall be giving a talk about the book and Sorrel Ferguson will prepare a special dinner of heritage fruits and vegetables. Tickets are available now.
D is for Druids Cave
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| Queen Caroline's Hermitage at Richmond Lodge |
Bit of an odd one for today's garden feature. But that's such a part of the fun of garden history - all the weird and wonderful that happened in our gardens, and the reasons why it happened.
During the 18th century and as a part of the movement towards the new, naturalistic English Landscape style there was considerable revival in antiquarian interests. There was a re-rediscovery of the Classics - literature, architecture and archaeology. However, this interest in things ancient was not restricted to Italy and Greece, and there was a lively curiosity with the early history of Britain and its inhabitants. One area of particular fascination was the mysteries of the druids.
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| Originally called the Hermit's Hut, Killerton's Bear Hut was erected in 1808. Attribution: David Smith |
As with many of the Classical rediscoveries which were played out in the new landscapes, in the form of picturesque natural scenery, emotional overtones and garden buildings, so too the interest in druids took physical form. Many new gardens created from the 1720s onwards were embellished with a druid’s cell or cave, a term often also given to a rustic structure or hermitage.
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| Dido's Cave at Stowe, a 'classisised' Druid's Cave. Attribution: Philip Halling Smith |
Built from stone or wood - the use of tree stumps and roots was popular, although Classical embellishments were also used, it was important that the druid’s cell or hermitage was inhabited by a hermit or druid. In most instances models made of waxworks, straw stuffed clothes, or clockwork sufficed, but occasionally a ‘live-in’ hermit was employed. For example by the Duke of Beaufort at Badminton in Gloucestershire - click here for image of the hermitage. Here, the hermit’s role was to live alone, to appear bedraggled, and to terrify visitors. However, Beaufort fired his hermit for enjoying female company and for moonlighting on other nearby estates.
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| The Stowe Hermitage by William Kent, 1731 |
Stowe also has a hermitage but the building is in classical style. Here too, the resident hermit was sacked - this time for drunkenness.
Tuesday, 21 February 2012
New Monastic Garden for the St. Ives Estate, near Bradford
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| Herb Garden at the Abbey House, Malmesbury |
The Yorkshire Post reports that a new monastic garden is being created on the St. Ives Estate near Bradford in Yorkshire. The estate, which is under the control of Bradford Metropolitan District Council, has a long an illustrious history. From the 12th Century until to the dissolution of the monasteries, the
main area of the Estate was part of the properties belonging to the Monks of Rievaux. The land passed through two families - the Laycocks and the Milners - before coming into the ownership of the Ferrands in 1635, who continued ownership until the 20th century.
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| The Book of Kells - now in Trinity College, Dublin |
As part of a £250,000 restoration programme for the St Ives Estate, Jane Ramsden has set about recreating a monastic garden close to the site of the 13th century monastery. For her inspiration Jane has drawn on the 9th century Book of Kells and the 10th century Leechbook of Bald.
Two additional manuscripts contemporary with Bald are the Lacnunga, another 'healing book', and Ælfric's Glossary. And were it me devising the planting list for a garden to go with an English 13th century monastery, I would also consult the first specifically horticultural texts written in England: Alexander Neckam's De Naturis Rerum (c.1180) and Laudibus Divinae Sapientiae (1213), from which a list of 140 species can be compiled.
Two additional manuscripts contemporary with Bald are the Lacnunga, another 'healing book', and Ælfric's Glossary. And were it me devising the planting list for a garden to go with an English 13th century monastery, I would also consult the first specifically horticultural texts written in England: Alexander Neckam's De Naturis Rerum (c.1180) and Laudibus Divinae Sapientiae (1213), from which a list of 140 species can be compiled.
See also my previous post on Mediæval Gardens.
Monday, 20 February 2012
More of This...Please
Now this is just the kind of article we should be reading on a much more frequent basis. This is Gloucestershire reports that the enlightened owner of the elegant Glenmore Lodge in Cheltenham (one of the first properties built as part of developer Joseph Pitt's original plans for the area in 1827) wishes to knock down an ugly 20th century bungalow with the intent of restoring the Lodge's original garden. Cheltenham Civic Society is on board and a decision should be made by the borough council's planning committee by March 20. Good Luck!
Japanese Garden at the Huntington Library reopens April 11
Alice's Garden Travel Buzz informs that, after an extensive restoration the nine-acre Japanese Garden at The Huntington Library, will open to the public once again on April the 11th, when it will also celebrate its centennial.
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