Showing posts with label lost gardens. Show all posts
Showing posts with label lost gardens. Show all posts

Wednesday, 26 September 2012

Scotland's Lost Gardens Revealed


The product of 30 years of research, Marilyn Brown’s Scotland's Lost Gardens: From the Garden of Eden to the Stewart Palaces rediscovers the fascinating stories of the nation’s vanished historic gardens.

Drawing on varied, rare and newly available archive material (the link is to some examples shown on the BBC's website) combined with and modern aerial photography, Brown reveals Scotland's disappeared landscapes and sanctuaries.  From the monastic gardens of St Columba on the Isle of Iona in the sixth century and encompassing royal palace gardens.

What emerges is a remarkable picture of centuries of lost landscapes and a perspective of how Scotland’s garden art  and cultural heritage sits within a wider European movement of shared artistic values and literary influences. 

Friday, 21 September 2012

H is for Herbaceous Border

The Red Borders at Hidcote
Think of the Edwardian country house garden, of tea on the lawn, or The Importance of Being Ernest and like as not your mind’s eye will see a manicured garden with long, double herbaceous border. The herbaceous border is the feature that epitomizes the Arts and Crafts vernacular garden of the late 19th and early 20th century English garden.  However, contrary to popular belief Gertrude Jekyll did not invent said feature - although she certainly did improve and perfect it.

In fact the history of the herbaceous border is much older, and its origins can be traced back to the beds and borders of ‘old fashioned’ of hardy herbaceous plants that made the country cottage garden such an attractive garden form.  

Credit: The Flower Garden at Nuneham Courtenay, Oxfordshire,
1777 (w/c), Sandby, Paul (1725-1809)
 Private Collection / The Bridgeman Art Library
From these humble origins, beds of herbaceous perennials were used in a number of ways down the years.  In the 18th  century William Mason predated Alan Bloom by some 180 years by creating island beds at Nuneham Courtenay in Oxfordshire.  And in in his 1200-page epic Encyclopaedia of Gardening (1822) John Claudius Loudon prescribed that plants be arranged in rows, tallest at the back, shortest at the front, with much earth showing between them.  

The Twin Herbaceous Border at Arley Hall. Credit: Nick Turner
One of the earliest (twin) herbaceous borders as we know them today was planted at Arley Hall in the 1840s, but it was the pro-naturalistic writings of William Robinson and Miss Jekyll’s innovative use of informal drifts of plants arranged according to painterly colour theory that made the herbaceous border so popular in the early 20th century.  

Munstead Wood's herbaceous border by Helen Allingham
Perhaps the most famous of all herbaceous borders was Miss Jekyll's own in her garden at Munstead Wood, which is in excess of 300 feet long. 

The Sundial Garden at the Lost Gardens of Heligan..by ME!
Back in 1996, I, together with Chris Gardner, had the opportunity to research and recreate an early 20th century herbaceous border in a Jekyll-esque style in the Sundial Garden at the Lost Gardens of Heligan.  It was a fascinating project and lovely to see that it is still thriving. 

Unmistakably Oudolf
Herbaceous borders remain perennially popular, but recently the ‘perennial meadow’, an idea first put forward in the 1930s by the German nurseryman nurseryman Karl Foerster and developed by designers including James van Sweden and Piet Oudolf, in which fewer species are planted in large drifts, has re-emerged.

Wednesday, 15 February 2012

Lost Forever

Lathom, the finest Palladian mansion in Lancashire, lost after the 3rd Earl sold up in 1925
An interesting story in today's Mail Online entitled ‘The majestic historic mansions that were demolished to make way for the bypasses and housing estates of modern life’.  And of course the gardens went, too. 

The article contains some great photos (and the book the article features  Felling The Ancient Oaks  should be good if depressing read, too.) Important, I think to be reminded of such losses and to remember that our heritage, both architectural and garden, remains under constant  threat.  We must remain vigilant - especially since gardens are not accorded the same statutory protection as buildings are through the 'Listed' system.